the-kinks

The Kinks

Active: 1964–1987

PopRock

24

Releases

24

Active Years

About The Kinks

By Robert Williams

The Kinks. Now there's a band that doesn't always get the credit they deserve, and that's a cryin' shame. Formed in Muswell Hill, London in 1964, the Davies brothers — Ray and Dave — created a sound that was quintessentially English in a way nobody had managed before. Ray wrote about suburban life, village greens, and the peculiarities of Britishness. Dave just wanted to make a racket. Between 'em, they made magic.

You Really Got Me in 64 — that raw distorted guitar riff is the sound of hard rock bein' invented. Three chords and an attitude that influenced generations. Dave Davies sliced his amp speaker with a razor blade to get that sound. Proper scally behaviour. The Kinks were banned from performin' in the US for four years at their peak because of on-stage fights and general chaos. Missed out on the full British Invasion wave because of it. But the music they left behind is immaculate.

Waterloo Sunset, released in 67, is the perfect pop song. A portrait of London life — Terry and Julie meetin' at Waterloo Station — that captures the beauty of ordinary moments. Ray Davies at his absolute peak. And the album The Kinks Are the Village Green Preservation Society from 68 — I've got the original vinyl, it's one of my most treasured pieces. A concept album about a mythical disappearin' Englishness: tea, cricket, strawberry jam, village churches. Sold only about 15,000 copies on release. Now recognised as one of the greatest British albums ever made.

Lola in 70 — a song about a meetin' with a transgender woman, brave as anythin' for the time. 'Girls will be boys and boys will be girls.' Ray Davies was always ahead of the curve. The catalogue is deep — Sunny Afternoon, Dedicated Follower of Fashion, Tired of Waiting for You — songs that chronicle British life with wit, warmth, and a touch of melancholy.

The Kinks matter because they showed that British pop could be intelligent, ironic, and deeply strange. They were never the biggest band, but they might be the most English. And there's somethin' special about that.

Advertisement

Complete Discography

1964
2 releases
single

YOU REALLY GOT ME

Documented across 12 weeks

single

ALL DAY AND ALL OF THE NIGHT

Documented across 14 weeks

1965
5 releases
single

TIRED OF WAITING FOR YOU

Documented across 10 weeks

single

EVERYBODY'S GONNA BE HAPPY

Documented across 7 weeks

single

SET ME FREE

Documented across 11 weeks

single

SEE MY FRIEND

Documented across 9 weeks

single

TILL THE END OF THE DAY

Documented across 12 weeks

1966
3 releases
single

DEDICATED FOLLOWER OF FASHION

Documented across 11 weeks

single

SUNNY AFTERNOON

Documented across 13 weeks

single

DEAD END STREET

Documented across 10 weeks

1967
2 releases
single

WATERLOO SUNSET

Documented across 11 weeks

single

AUTUMN ALMANAC

Documented across 11 weeks

1968
2 releases
single

WONDER BOY

Documented across 5 weeks

single

DAYS

Documented across 10 weeks

1969
1 release
single

PLASTIC MAN

Documented across 1 week

1970
3 releases
single

VICTORIA

Documented across 4 weeks

single

LOLA

Documented across 14 weeks

single

APEMAN

Documented across 13 weeks

1972
1 release
single

SUPERSONIC ROCKET SHIP

Documented across 8 weeks

1981
1 release
single

BETTER THINGS

Documented across 5 weeks

1983
3 releases
single

COME DANCING

Documented across 10 weeks

single

YOU REALLY GOT ME {1983}

Documented across 5 weeks

single

DON'T FORGET TO DANCE

Documented across 5 weeks

1987
1 release
single

HOW ARE YOU

Documented across 2 weeks

Back to Artist Directory